How can it be that "Everybody Loves Raymond" is not only a ratings blockbuster but a multiple Emmy winner, while the original likes of "Scrubs" scuffle for scraps of attention? I'm completely disregarding your feelings. Together, they confront Marie about her manipulative efforts in getting them to breed plying them with massage oils, candles, liquor and the music of Barry White. These shows aren't so much creative responses to "Raymond" as businesslike attempts to duplicate its demographic ratings success. Pent up about bearing the brunt of the housework and Ray's attachment to his mother, Debra has grown into a frustrated monster who jumps on Ray when he says the wrong thing. Marie disrupts the plan as she comes in the house through the kitchen with a cake and wants to apologize to Debra. Naturally, Debra has all the psychological insights in the Barone marriage; that's chick stuff, in the ethos of the show. He wants sex, she withholds it to punish him for an insensitivity, she realizes what was bothering her, they make up, sort of. It's written in the Book of Old Saws.
The tension escalates between Peggy and Ray and the party breaks up. A week later, Marie calls in her favor to Debra. Marie and Frank share a moment as he decides to stop taking the pills and get his taste back. Again and again, these two women go at it, while their men, Ray and his father, Frank Peter Boyle , avoid getting caught up in female turf issues; the TV beckons. She's a shrew, always denying Ray the joy of his favorite activities, including golf and sex. Ray is traumatized when he goes to his room and walks in on Lois and Warren having sex. Putnam, to see what she could do to improve. The family, fearing the worst, experiences a number of heart-warming flashbacks. Greenberg passed away and the boys have been going to the racetrack. And the idea that in-laws are endlessly hysterical might have hit its peak in the s, with "The Mothers-In-Law," starring Kaye Ballard and Eve Arden. But Peter only has eyes for Peggy. But at the same time, "adult" -- "Seinfeld," for example -- doesn't have to mean unyieldingly retro and bland. When that fails, Ray and Debra throw a cocktail party at their home to introduce Peter to eligible women. It's written in the Book of Old Saws. That's about the highest praise I can muster for CBS's Monday sitcom hit, whose massive success continues to mystify me. How can it be that inventive comedies get the guillotine every season, while this banal rehash of s gender cliches continues to rival "Friends" as TV's most-watched sitcom? Matthew Gilbert can be reached at gilbert globe. Essentially, "Raymond" reduces the modern suburban family to a Neanderthal stereotype, like Ricky and Lucy Ricardo minus the love and affection. Accepting the Emmy for best comedy last year, "Raymond" executive producer Phil Rosenthal proudly described his struggle to hold onto his show's old-fashioned orientation when CBS urged him to make it hip. Putnam is insensitive and mean. These shows aren't so much creative responses to "Raymond" as businesslike attempts to duplicate its demographic ratings success. Ultimately, Amy and Ray make up with each other. For the next five weeks, under the pretense of going to Dr. But still, the show does almost nothing to update the battle of the sexes, stubbornly dooming it to a time when it was a man's world and wives were trapped. I'm completely disregarding your feelings. This is a typical exchange: The success of "Raymond" has inspired a number of throwback family comedies, such as the other Monday CBS comedies "Yes Dear" and "Still Standing," which bear the same mark of mediocrity.
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Everybody Loves Raymond - Sex Talk
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