The movie halts completely and goes on a tangent to show us the battle. I mean, with the way that life imitates art, it would be no surprise to me, even, to see something like a real life King Game pop up on the Darknet and get worldwide attention for it. And you better be God damn sure I would get revenge, even if it meant spending the rest of my life in a jail cell. I always tell people that if my daughter grows up to be a child-raping pedophile who also kills small cats for fun, I would still love my daughter with everything that I am, I would still look at her the same way that I look at her now, in the sense that I love her unconditionally, and my love is definitely not dependent on her actions. As you can expect with almost any Japanese body horror film, is the extremely bizarre and confusing imagery paired with equally bizarre "musical" scores. I don't want to spoil the ending, but there's not much to spoil. RED ROOM takes this to that kind of place in your thoughts, which is something I guarantee every single person has thought about doing, even if they never had lost somebody, at least once. Things get complicated when their neighbor returns from the war. This movie is about one thing:
I think Red Room taps this kind of desire, too, in us to do sick and depraved things to each other, but in the case with Red Room, we get paid for doing so as a result. The stories aren't complicated. Then it started raining. Ordinarily, this is screenwriting death. I can practically guarantee it. There is just something so strange and visceral about it, and that damn, aching cello score underneath it all, the out of tune piano chords being struck… I felt like I was losing my mind from it all. Kwaidan is more about the experience, which is why the visuals are so impactful. I found out later that it was based on a manga, by famed artist Hideo Yamamoto. It's a body horror about a man that begins to evolve into a machine. I think, for me at least, the craziness comes in the form of how disturbing psychologically Kuchu Teien gets by the end of the film. But beyond Ringu's cultural impact and compelling social messages, it's worth watching because it is damn scary. And arguably, THIS might actually be the craziest film on this list, but maybe not the most accessible or easy to comprehend. Sadako is a classic vengeful yurei , scaring her victims to death. Or the next movie on this list which also was made by Sono. A pair of black cats linger over the bodies. Every shot is thick with atmosphere, which plays well with the slow pacing. Any moment could mean seeing the petrifying ghost girl or hearing the blood curdling growl of the ghost boy. Something always felt off about the 16 hour shifts, or hell, some of the regular night shifts I did as well. I would say mission accomplished. I always tell people that if my daughter grows up to be a child-raping pedophile who also kills small cats for fun, I would still love my daughter with everything that I am, I would still look at her the same way that I look at her now, in the sense that I love her unconditionally, and my love is definitely not dependent on her actions. This movie was also remade in America, but it is nothing special. Well, what if you DID bash their brains in? But anyways, I stayed up and watched it out on their mammoth sectioned couch, while my girlfriend slept in a guest room, and basically I had this cavernous apartment all to myself. Funny how the world works like that, eh? This is a list of my personal favorites. It's a must-see film, period.
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THE TORTURER - Lamberto Bava 2005 (part 2/3)
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